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University of Utah Department of Ballet Summer Intensive, June 20 - July 15, 2016. Join us for an exciting four-week ballet intensive with internationally recognized faculty and guest artists.

The University of Utah Department of Ballet Auditions for BFA Program and/or Summer Intensive, Seattle - Jan. 2, 2016, Chicago - Jan. 8, 2016, Washington DC - Jan. 10, 2016, Salt Lake City - Jan. 15, 2016, San Francisco - Jan. 23, 2016, Los Angeles - Jan. 24, 2016, Salt Lake City - Feb. 6, 2016

The British Passion for Landscape: Masterpieces from National Museum Wales, Utah Museum of Fine Arts, August 29 - December 13, 2015

Birds of Paradise: Amazing Avian Evolution, Meet 39 divas of the avian world! September 19, 2015 to January 3, 2016, Natural History Museum of Utah

Performance Calendar of 2015 - 2016 Season, Department of Ballet, University of Utah

Performance Calendar of 2015 - 2016 Season, Department of Modern Dance, University of Utah

Natural History Museum of Utah 2015 Lecture Series

College of Fine Arts, University of Utah

Glowing Trees

Award-winning Architectural office, spatial practice, completed a site-specific installation in Hong King, titled Glowing Trees. The sculpture is composed of seven out-of-scale kinetic “trees”, between 8-13 meters tall, installed in Hong Kong’s iconic indoor public space, the Oval Atrium of the International Finance Centre (IFC) complex. The installation was conceptualized to provoke emotions of anticipation, discovery, excitement and sharing.

Inspired by the Architect’s view of Hong Kong as a groundless city lacking activated public space, the Glowing Trees seek to transform the Oval Atrium by fostering an assembly of a large catchment of potential users. The site’s position as a pivotal intersection of transportation node and mixed-use program is a point of reference for many who pass through this site on a day-to-day basis. The trees’ kinetic motion, as it moves up and down, allows for surprise programmatic reveals on multiple stages defined by the Architects via the pleated fabric. Spontaneous reaction is further supported by each of the tree’s playful materiality, striated color palette, and the interior reflective forms allowing users to gaze and then capturing the moment to sharing through today’s mobile technologies. 

For information about this and other projects of Spatial Practice, please visit its website.

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