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Preparatory Division String Camp, June 20-24, Ages 6-9 and 9-12. Registration deadline is May 20th. Preparatory Division, Tanner Dance and Youth Theatre Arts Passport, June 27 - July 1, Create an original performance work to be presented at the Tanner Dance Building. Preparatory Division International Piano Festival, July 26 - July 29, Musicianship, ukulele, and choir classes. University of Utah, School of Music.

Home in Their Eyes: Images and Stories of Home by Residents in Rural China, Friday, March 25 – Thursday, June 2, 2016, J. Willard Marriott Library 3rd Floor

Salt Dance Fest 2016 brings together internationally renowned dance artists and dance makers Jeanine Durning, Alex Ketley and Jennifer Nugent, along with esteemed SLC dance artists Daniel Charon, Molly Heller and Stephen Koester for two weeks of moving, collaborating, dance making and the lively exchange of ideas, June 6-17, 2016.

Summer Chamber Music Workshop, Matt Zalkind, June 26 - 30, 2016, Hasse Borup, Director, Open for serious string and piano players, age 12 - 26,  School of Music, University of Utah

University of Utah Department of Ballet Summer Intensive, June 20 - July 15, 2016. Join us for an exciting four-week ballet intensive with internationally recognized faculty and guest artists.

Performance Calendar of 2015 - 2016 Season, Department of Ballet, University of Utah

Performance Calendar of 2015 - 2016 Season, Department of Modern Dance, University of Utah

Natural History Museum of Utah 2015 Lecture Series

College of Fine Arts, University of Utah

Emergence Lab | From Thomas Medicus

The “Emergence Lab” is a hand painted anamorphic sculpture. Its title refers to a phenomenon called emergence. Through a plug system made out of 216 laser cut acrylic glass strips, a cubic framework, which contains layers pointing towards all three spatial dimensions, is created.

On each side of the cube there is one anamorphic painting that can always only be seen from one point. Since every figure fills the exact same surface as its counterpart on the opposite side, the rear image is covered while looking at one figure. Before painting the fragments of the images separately on the strips with acrylic paint, the segmentation has been planned entirely. In order to prevent irritating reflections within the strips, the sculpture floats in silicone oil.

For information about this and other projects of Thomas Medicus, please visit his website.

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